Drama

“As the sound of the playgrounds faded, the despair set in.”

Ángel André Osorio defends Vincent Ward’s ‘What Dreams May Come’ – a film that has largely been forgotten in the annals of Cinema History.

Joe Abdelsayed revisits Charlie Kaufman’s stop-motion masterpiece Anomalisa, a film too often overlooked – in spite of its quality.

“I do what I do best: I take scores. You do what you do best: try to stop guys like me.”

“I am nobody’s fool. Least of all, yours.”

Our Editor takes a look at Adam McKay’s ‘The Big Short’ – and makes an apocalyptic comparison.

Victoria Danesi reviews director Damien Chazelle’s latest, starring Ryan Gosling as Neil Armstrong.

Eli Kazan’s ‘On The Waterfront’ is a key example of how life can sometimes imitate art. Victoria Danesi examines how.

From 1894’s ‘Fred Ott’s Sneeze’ to 2016’s ‘Ugly’ – David Khaziri provides a condensed history of one of Cinema’s oldest formats.

Jordan O’Shea revisits an oft forgotten classic of French Cinema – Robert Bresson’s ‘Mouchette’.